We’re filming Kim Wilde tonight — four cameras, a four-person crew and a full comms rack on site. This time we’re working for another director who wants to remotely direct our team while we capture four isolated camera feeds for post-production.
These will be mixed later with an additional four static cameras positioned around the venue, giving a full multi-camera view of the concert. A straightforward setup — and a perfect throwback to the best of the 80s revival.
Lights, lenses, and live music… here we go.